The Corruption of Dorian Gray – The Lion and Unicorn Theatre

20 Jul

I read ‘The Portrait of Dorian Gray’ a couple of years ago and absolutely loved it so I was excited to go and watch ‘The Corruption of Dorian Gray’ at The Lion and Unicorn Theatre the other week.  The theatre, based in Kentish Town, is attached to a charming pub so we could enjoy a few relaxed drinks before we went in.

I’d read good reviews of the play so sat down on the tiny and majorly uncomfortable wooden stools (which seems to be a problem with these quaint, indie theatres… and those too-cool-for-school coffee shops but that is a rant for another time).  It followed the story quite closely and I thought the actors were all very well cast, especially the ultimate corruptor Henry Wotton, who is played by Will Harrison- Wallace, who was both infuriating and enticing as I found him in the book.  Dorian Gray, played by Michael Batton, was never my favourite character but he was played well, with a mixture of evil and likeability – plus, Batton – a mixture of Daniel Radcliffe and Hugh Dancy – encapsulated the Victorian gentleman and probably has the most pronounced cheekbones I’ve ever seen in my life.

dorian gray

Adam Dechanel’s production emphasised the darkness of the book – so much so, there was what seemed to be a never-ending scene of some strange hedonistic orgy to highlight the seediness of London’s underworld, and the descent of Dorian Gray.  The production also highlighted the homosexuality between Basil and Gray, which is clearly alluded to in the book but explicitly shown in the production.

Objectively, the production was solid, yet I felt it lacked something.  I don’t know if this is because reading such a story allows for a subtler experience but with this production, I felt the messages were being rammed down my throat at some points with overly hammy acting, and they needn’t have been so explicitly portrayed.  The book seems more of a philosophical contemplation on beauty, youth and corruption; however, the realistic limitations of the stage mean that the production is much more hard-hitting, explicit and in some scenes, quite difficult to watch.  That said, my boyfriend loved it so it really is a matter of personal preference.  But overall, it’s a tricky story to adapt for stage; it was well-executed and worth a watch.

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