Tag Archives: Ivo van Hove

View From the Bridge at Wyndham’s Theatre: a review/ rant

12 Apr

On Friday I went to see the highly acclaimed performance of Arthur Miller’s ‘View from the Bridge’, directed by the Ivo van Hove and starring Mark Strong, of ‘The Imitation Game’ and ‘Before I go to sleep’ fame.  I had purposely avoided reading the reviews in depth but even so, it was impossible to be oblivious to the hype around this adaptation.  As a huge Arthur Miller fan and someone who has studied the play in the past, I was pretty confident sitting in my seat waiting for the performance to start that I was going to see something pretty special.

Let’s just say, I should know by now not to believe the theatre critics as I was sorely disappointed.

viewfromthebridge

Van Hove’s numerous techniques to add dramatic effect did not stop with the stark, minimalist set, but included overly long pauses punctuated with a beeping noise to heighten tension, and a scene at the end where the stage directions are read out as the scene is being played out.  Rather than add drama, though, these served only to irritate and distract from the intrinsic drama unfolding in the scenes.   Yes, the play is a tragedy but van Hove’s decision to make everything overly dramatic from the beginning resulted in a conflict and denouement that was less so – the time when the play is at its most dramatic.

Before watching this play, I was unfamiliar with Strong and his work.  Whilst technically his acting was fine, I felt he did not seem to embody the character of Eddie Carbone – the “every” man with flaws and vulnerabilities.  Firstly, Strong seemed – well, too strong, especially given that he was supposed to be physically weaker than Marco.   Perhaps this is entirely subjective but I had always pictured Eddie as someone who is distinctly normal looking – he is a longshoreman with a loving wife and he likes to go bowling.  He finds Rodolpho (who, along with Marco, just arrive to America “off the boat” yet both actors assume American accents) or anyone who isn’t as ‘normal’ as him strange because he isn’t used to anyone else.  In the play, I imagined him to appear approachable and friendly, the kind of harmless man who is liked by everyone in his neighbourhood.  I didn’t feel that Strong embodied this persona and this ‘normality’ is exactly what endears Eddie Carbone to the audience.  It is vital in a play that encourages the audience to empathise and question humanity.

I really disliked the portrayal of Katy, played by Phoebe Fox.  In the play, Katy is supposed to be a young woman, nearly eighteen, who has been overprotected and indulged by Eddie Carbone.  Her burgeoning womanhood mixed with her “Daddy issues”, and Eddie’s repressed and confused feelings about his niece are simmering away in the play with increasing intensity until the climax and tragedy unfolds.  The production, however, completely disregarded any idea of subtlety and had Katy practically straddling Eddie and sitting around with her legs spread open in the first scene.   In addition to this, Fox’s erratic portrayal of Katy was, quite frankly, bewildering – her combination of mumbling, shouting and running around with her underwear exposed made her seem like she suffered from some sort of hyperactive disorder.

Even despite everything I’ve said, I did find myself a little moved in the second act but that is credit to Miller’s exceptional writing rather than the production itself.  As my sister’s boyfriend remarked, the end scene with its dramatic music and pouring blood is reminiscent of a scene in the cult 90s movie, Blade, and perhaps that would have been more entertaining.  I should remember to say (despite my frustrations) that Mark Strong as Eddie Carbone and Nicola Walker as Beatrice Carbone delivered solid, worthy performances but ultimately I came away feeling frustrated and disappointed.